SC 01New Delhi · India · Est. 2021
SC 02Showreel 2026
Bee Town Films is a film, animation and post-production studio. We storyboard, shoot, cut and animate for Apple, PepsiCo, vivo and Royal Stag. One crew takes your film from the first frame to the final cut. We fly the drones and skip the drone work.
SC 03The swarm
SC 04Where we fit
Agencies dream up the idea. Brands sign it off. We make it land on screen: storyboards before the shoot, cameras on the day, and an edit that holds up frame after frame.
SC 06Main services
Bring us in for one stage, or for the whole film. Either way it's the same people from start to finish. All services →
See it before you shoot it.
RecentlyMountain Dew × Hrithik & Salman · 7UP
Lights, camera, traction.
RecentlyApple iPhone 16, 17 & 18 launches
We don't fix it in post. We make it there.
RecentlyMountain Dew 2D film · Khimji · RS Code
One launch, every screen.
Recentlyvivo X300 social launch
SC 08Final cut
Tell us what you're launching and when. A founder writes back, usually the same day.
Instagram · · YouTube
REEL 02Work · 17 projects on file
Every frame we can show you, and exactly what we did on it. Some films we made start to finish. On others we drew the boards or cut the edit. We credit it the way it happened.
AppleiPhone 16 · 17 · 18
Feature2024–2026
Three iPhone launch seasons in India, covered by the same team: the doors, the crowds, the first customers, and the city from the air. Then a sales film for leadership, built from the same footage.
REEL 03Services
A film goes through four crafts. Hire us for one, and you get the people who do it every week. Hire us for all four, and nothing gets lost between them.
See it before you shoot it.
We turn a script into a film on paper: every shot, every cut, every beat of action. Agencies and directors use our boards to sell the idea, plan the shoot and keep a celebrity day on schedule.
Lights, camera, traction.
Our crew covers launch nights, stores, cities and studio floors, often with several cameras and a drone in the air. We have covered three iPhone launches in a row in India, across many cities at once.
We don't fix it in post. We make it there.
Most of our work happens in the edit suite: editing, grade, sound, motion graphics, 2D animation and language versions. We cut award entry films, festive films, a 2D Mountain Dew film and character animation.
One launch, every screen.
A launch now lives on six screens at once. We build the content that goes with it: social films, motion posts, end frames and cut-downs sized for every feed.
TermsWays to work with us
No minimum budget. We'd rather have an honest talk about what your money can do than lose a good brief.
One craft, one job.
Storyboards for a TVC, coverage for one launch, or the edit on footage you already have.
Brief to broadcast.
Boards, shoot, post and launch content from one crew. The surest way to get what you pictured.
A hive on retainer.
A monthly plan for brands that launch often: a fixed crew, a fixed rhythm, and no re-briefing every time.
REEL 04Process
Every job runs on the same call sheet: five takes from brief to broadcast. You always know which take we're on, what we need from you, and when the next one lands.
| Production | Your film |
| Takes | 05 |
| Crew | One, start to finish |
| Hand-offs | Zero |
Say it in one sentence.
A call with a founder. We ask what the film must do, who it's for, where it will play and when it has to land.
Draw it before we roll it.
Our artists draw the film shot by shot. We plan the locations, the crew and the day, down to the minute on celebrity shoots.
Lights, camera, traction.
Our crew rolls on studio floors, launch nights and city streets, with drones when the story needs height. One person on set talks to you all day.
Where the film is really made.
Edit, grade, sound, motion and 2D animation in our own suite. You see a first cut, then a fine cut, then the final.
That's a wrap. Literally.
We export every format and every language version you need, check each one, and deliver on the agreed date.
Before TK 01After you hit send
A founder reads your brief. Not a bot, not a junior.
A real answer with real questions about your film.
Thirty minutes to get to the heart of it.
Scope, schedule and price in plain words. No hidden lines.
House rulesOn every set
The people you meet are the people who make it.
No relay race between teams. The person on your call is in the edit suite later.
We say what we did.
Storyboards are credited as storyboards, post as post. You'll see the same honesty in our quotes.
The quote is the bill.
Scope changes get a written note and a price before anyone does the work.
Made once, fits everywhere.
We plan aspect ratios and languages on day one, so versions don't become a second project.
FAQQuestions before action
Both. Agencies bring us in for storyboards, shoots and post. Brands come to us for the whole film. Either way, one crew handles it.
There's no fixed floor. Tell us the range and we'll be honest about what it can do. Some of our longest relationships started with one small edit.
A typical TVC runs four to eight weeks from brief to delivery. Launch coverage depends on the event, and post-only jobs can turn around in days.
Yes. We've finished films in English, Hindi, Tamil and Kannada, and plan versions from the first day.
All the time. Our crews have rolled in Mumbai, Kolkata, Hyderabad, Bengaluru, Kochi, Lucknow, Chandigarh and Odisha.
Yes. Our On call plan gives brands that launch often a fixed crew and a fixed rhythm, without re-briefing every time.
REEL 05Studio ·
A small studio with a big appetite. We draw, shoot, cut and animate under one roof, and we keep the crew small on purpose, so the people you meet on day one are the people who finish your film.
ST 01The founders
Bee Town Productions started in 2021 with a camera, an edit suite and a stubborn idea: the people who pitch a film should be the people who make it.
Founder
Founder
Founder
ST 02A day in the hive
No two days match, but most of them rhyme. Scroll the day sideways.
Chai before cameras.
The day's call sheet goes up. Everyone knows the plan before the first cup is done.
Literally.
Storyboard artists turn this week's scripts into frames on the wall.
Lights, camera, traction.
A crew is out: a launch, a store, a rooftop with a drone in the air.
Where films are made twice.
Editors, animators and sound pick up where the camera stopped.
The honest screen.
Today's footage, watched together. The best shot of the day gets a cheer.
ST 03Studio life
Three iPhone launches in a row. Doors at dawn, crowds at midnight, footage cut before the queue clears.
Our crews have rolled in more than ten cities. Some trips, we still talk about.
When the story needs height, the drone goes up and the whole crew looks up.
Hrithik, Salman, Rashmika, Anirudh: they all lived on our wall as pencil sketches before they lived on screen.
English, Hindi, Tamil, Kannada. Our edit suite is multilingual, and so are the jokes.
2D and character animation, drawn in-house, frame by frame.
Every film starts from a blank page. It's slower, and it's the point.
ST 04Where we've rolled
ST 05The story so far
Bee Town Productions starts in New Delhi with one camera and one edit suite.
Office, culture and brand films for Microsoft, BCG, Bank of America, Agilent, Beam Suntory, NIUM and more.
First Mountain Dew work, and the first BAM and Effie entry films.
iPhone 16 launch coverage. 7UP storyboards with Rashmika and Anirudh. Khimji, WAPCOS, Lendingkart.
Storyboards for Mountain Dew's Unstoppable Duo. iPhone 17 coverage. vivo X300's social launch. Uber One. Royal Stag in Odisha.
iPhone 18 coverage across many cities in one go. RS Code's character film. And this website.
ST 06Careers
Send a reel or a portfolio link and two lines about what you love making. We read every one.
REEL 06Start a project
Five quick takes and your brief lands with a founder. The rougher, the better: reading between the lines is part of the job.